In her ceramic jars, Teresa Cortez gives shape to the terracotta adjusting unlikely configurations. Her hands model representations of the animal world, of nature or simply a face. These are circular, cylindrical, more or less oval, almost spherical volumetric shapes which, in high-relief, lodge their residents. Floral motifs, heart-shaped roses, daisies, colourful ornaments of nature, feminine faces, individually or in circular groups, with straight or braided hair, birds, toads, beetles, pigs sprouting in every pot. To shape every sculptural object is to grasp a meaning, a physiognomy, an appearance inscribed in the matter addressed. The future to come is the outcome of the involvement, the touch that kneads, metamorphosing. The organic matter, emerging from the earthly body, engages our senses. The terracotta, shaped by the hands of the artist, acquires an aesthetic value as sculptural object. It excites in us a wider-reaching glance, with each volume joining the hollowing of each jar, of each container.